25th September 2014 by Whittard
We're thrilled to be adding a modern take on the famed Willow Love Story and met with Dinah Body, who designed the range at her airy studio in Bristol.
Did you always want to be a designer? Can you remember if there was a specific object that first got you interested in design and why?
As a child I always had a love of creating things, I remember loving colour and drawing patterns from an early age. From the first time I used clay I loved it; I loved its tactile qualities when making things – so different to other design disciplines. In my early years I liked designer makers such as Joanna Veevers with her delicate intaglio ceramic pieces, and the intricate marquetry pieces of Dorothy Fielblemann, Vicky Shaw and Judy Trim were also favorites. I have always been inspired by pattern making and with ceramics I love the fact you can pick it up, feel it and hold it.
Which particular items do you get the most satisfaction from designing?
I'm drawn to the way pattern wraps around objects; the way that as you turn a bowl or a mug you see different aspects of the design. I enjoy designing stationary using techniques such as model die and laser cutting. However, I'm always drawn back to designing patterns for 3D objects; objects that you can hold and treasure. I think particularly with ceramic pieces as they are items that you want to pick up and not let go!
Are you fan of tea or coffee? Which teas/coffee do you love the most and how do you like to take them?
I am a big fan of coffee, no day can start with out a cup. At home I always use a cafetière and I enjoy experimenting with different coffees, but my favorite so far is Sumatra coffee. I love taking the time to make a proper cup of coffee and sitting down to drink it – such a simple act seems such lovely, luxurious, self-indulgent "me time" in an otherwise hectic day.
Tell us how your Willow Love Story designs for Loveramics came about. It's such a well known and well-loved design, how did you go about giving it a modern twist?
I was approached by the Hong Kong based company Loveramics to design a range of tableware. I love Chinese blue and white tableware and have a fascination with the Willow pattern in particular; the fable is so romantic. I wanted to produce an updated version that told the story across the full dinnerware range. By letting the story unfold across the pieces in a more playful way, the pattern and the story comes to life. By combining hand painted artwork with a sophisticated cobalt blue, the range has an authentic feel following in the style of traditional Chinese blue and white ceramics. We were conscious that the shapes we selected were relevant for today, and that the items were designed to sit together cohesively.
Tell us a little about your design process
The initial stages of any project are fun - I spend time pulling together ideas and filling my desk with scraps of paper and ideas from books, magazines, fabric samples, exhibition clippings, etc. I will put ideas together and build story boards. Once a direction has been agreed, the hard work begins. I work in a mixture of ways either by hand painting or working directly on the computer depending on the project. Once painted, I will scan my artwork and then manipulate it on the computer so that I can develop it across the range. It's very exciting to see the first proofs arrive, at this point we can assess the samples working closely with the factory to make any final adjustments before it goes into full production. Nothing beats the excitement of seeing the final product in store.
What do you think is the key to creating an enduring design?
It's a very good question. Having discussed this with friends it is really interesting to explore what we all think an example of enduring design actually is. It is in fact very subjective. Is it a Thonet chair designed by Michael Thonet in the mid-19th Century and still used today in numerous restaurants? Is it the classic Martini glass, or the Burberry trench coat? Is it an Eames chair, or is it the humble paper cup? I would suggest the Moka Pot originally designed by Alfonso Bialetti in 1933. I believe the key to creating an enduring design is to develop a product that transcends time and fashions; that is as relevant today as it was when it was first designed. For me it is a design that is rooted in craftsmanship, quality and style; a product that is made to last. It is something that looks great, solves any design issues and works well. I would say It also has to have that "X factor" that people fall in love with whether that be simple clean lines or an intricate detailed pattern – but it has to function well.
Which designers/artists are you most inspired by? Where else do you find inspiration?
Inspiration is everywhere! I love the work of Mariano Fortuny. Last summer I was lucky enough to take a family holiday to Venice where we visited Palazzo Fortuny, I wanted to move in!! The building maintains rooms created by Fortuny, filled with examples of his eclectic work, including his large precious wall hangings. You can even peer into his library and see work in progress, it was truly an inspiration – wonderful! Other inspirations are Eric Ravilious and Edward Baldwin. Inspiration is everywhere; from home magazines to flea market finds and antiques shops.
Is there an iconic piece of design you wish you had created?
Rene Gruau illustrated post war fashion. His drawings are amazing. He seems to capture the essence of a pose in a few lines. There is a natural ease, simplicity and confidence to his drawings. Whether illustration, ceramics, glass or furniture, I admire design that appears simple, effortless and yet captures style with ease – it is often the hardest to create.
What's next for you?
What's next for me??.... I have several new ranges launching in the next year. One of those is a new bone china range called "Petal" launching in full with the company Loveramics. It will be showing at Maison Objet in September. I also hope to move studios in the next year, so we are looking forward to having more space to spread out!
Thank you to Dinah for sharing her inspiration with us! You can now view the full Willow Love Story range on the Whittard site.Read More
5th August 2014 by Whittard
We went to meet Jan Ollis, owner and founder of Chi-Chi Moi and producer of our hand-made tea cosies. Based in Wells, her studio is a craft heaven – with endless balls of wool, ribbons, a vintage sewing machine, pretty crocheted flowers and tailor’s dummy. We put the following questions to her, whilst sipping tea, munching on cake and exploring her charming studio.
1) Did you always want to be a designer and when you were younger what were the inspirations for going into this line of work? Can you remember if there was a specific object that first got you interested in design and why?
My family have always been able knit, sew, crochet, tackle DIY projects and generally 'make do and mend' so I grew up expecting to be able to make that item we needed or wanted, my father was a trained silversmith and worked in an antique shop, this definitely shaped my formative years as I loved looking at those beautifully made items. When I was young I was very keen on drawing, but never thought that it could lead to a career, so after a brief daydream of becoming a mounted policewoman actually spent many years working in offices and put all my creative energies into creating a home . Slowly however, I began to dream that these skills could turn into my career. I then completed a degree in printed textile design.
2) How did the name Chi-Chi Moi come about?
Ten years ago I got back into knitting and crocheting and made a corsage for my mother-in-law for Mother’s Day – I look back and it’s a bit amateur now! But she loved it and asked me to make some for her to give to her friends, They quickly became popular and I wanted to start a business with a name relevant to the style of my corsages, I wondered what 'Chi-Chi' meant and looked it up in my ancient thesaurus, it said ' Fashionably Frilly' which I liked, so I added 'Moi' and 'Chi-Chi Moi' came about.
3) Knitting and crocheting have really become popular again, why do think this is?
Yes, knitting and crochet are so popular at the moment, I feel it may be a counterbalance to our very busy modern lifestyles. My life relies on email, my mobile phone and the internet, I find sitting and knitting relaxing (well most of the time). Also, to create something useable from very basic materials (two knitting needles and a ball of wool) is very satisfying.
4) Which particular items do you get the most satisfaction from designing?
I love designing tea cosies, they are quick to make and offer so much scope for creativity.
5) Tell us about the tea cosies – how did you get into them? How do you come up with designs and how long does it take to make one?
One of my first tea cosies was the one I still use at home, it is a pink Fair Isle and it led to many more ideas. Most of which are heavily influenced by the 1950's and 1970's.I have a rather long-winded design process, after my initial idea, I will knit one changing things as I go along. I then look at the number of stitches and rows and where I used different colours. I then re-create the fist cosy this time writing the pattern, Finally I pass the pattern onto one of my knitters for final amendments.
All of our Whittard tea cosies use different stitches and vary in levels of difficulty, Walter, on the right in blue and grey is the most tricky
6) What’s the most unusual item you’ve been asked to design?
We were recently commissioned to design and make judge's wig tea cosies, probably our most unusual design to date and the client is very happy with them!
7) Are you fan of tea or coffee - which teas/coffee do you love the most and how do you like to take them?
I like both tea and coffee and have a set routine, always having tea first thing in the morning, coffee mid morning and tea again in the afternoon. I am very particular about my tea and usually have a loose leaf Assam tea in a teapot with a tea cosy (of course)
8) Tell us about your team of knitters and crocheters
I have a lovely team of outworkers, some knit, some crochet & some do both. There are five ladies I rely on all year, plus a group of ladies I call on in busy times. I also have a full time assistant Jess, who is indispensable. Jess assembles the tea cosies and adds labels.
We all knit and crochet by hand – knitting machines produce a very flat result, hand knitting adds texture and air plus someone has spent time and love making it.
9) What do you think is the key to creating an enduring design?
An enduring design needs to be practical and appealling to the owner. William Morris was correct when he said 'Have nothing in your houses that you do not know to be useful and believe to be beautiful'
10) How would you describe your style?
Definitely retro & nostalgic. I like to create products “like something you find in your granny’s attic that you are really pleased with” - a little treasure, handmade with a nostalgic feel.
Although my great aunt taught a lot of the family to crochet, I don’t have any handmade heirlooms – I want to leave a legacy for my own family, I’m currently making a granny square blanket for my grandson (using a more tasteful colour palette than is traditionally the case!)
11) Which designers/artists are you most inspired by? Where else do you find inspiration?
I find inspiration in many places, I love going to museums, art Galleries and even car boot sales, anything can inspire me a colour or print, a teapot or a even a jumper. One designer who has inspired me for many years is Paul Smith, I love his twist on the traditional. I also love the fabric designs of Lucienne Day, her 1950's colours often come through in my work.
I love designers that make you smile when you see their work – who use wool in really quirky ways. I’m always drawn to the same colours from the 1950s – mustard, olive green – a little muted.
14) What’s next for you? Staying largely with knitting and crocheting or doing more textile work too?
We have lots of ideas in the pipeline, some using knit and crochet, but I would really like to use my print design background and create some products using my own fabric designs. I’m also looking at developing a range of cosies for сafetières. We are still a small team and there is not enough time in the day at the present to make everything we have ideas for.
Jan, thank you so much for answering our questions! We’re sure your charming cosies, made with love, will grace many a teapot in years to come.Read More
7th July 2014 by Whittard
Our new store opening isn't the only launch taking place in Canary Wharf this month. We also have an Iced Tease pop-up in Canada Square Park until the 11th, offering thirsty passersby the chance to try some new iced tea cocktails and mocktails including: Midnight Moji-Tea, Moonlit Safari, Apple, Elderflower and Vanilla Twist.
You'll find a cheeky twist on old favourites and some very moreish new creations, packed with fruit and flavour and showcasing just how delicious iced tea can be.
In addition, we've added a new mobile member to the Whittard family - our shiny new bike can be spotted around Canary Wharf, offering tantalising samples, so make sure you flag it down.
Here's to lots more long, hot balmy days - cheers!Read More
7th July 2014 by Whittard
We're delighted to now have a store in Canary Wharf - compact and bijou, it's filled floor-to-ceiling with the finest tea, coffee and hot chocolate.
Come take a look and tell us what you thinkRead More